Spring 2026 Course Syllabus
Course: MUSC-1331 (Section: 1, CRN: 10222)
MIDI
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Instructor Information
Instructor Emmanuel Saldana
Email saldanaej@lamarpa.edu
Phone (409) 984-6520
Office Sam and Linda Monroe Performing Arts Center - Room: 144
Office Hours Location: 135 
Office hours:
Tuesday 10am-2pm
Friday 12:30pm-2:30pm

Additional Contact Information Phone # (409) 300-7630
Course Information
Description Exploration of the history and evolution of Musical Instrument Digital Interface (MIDI) systems and applications. Includes the MIDI language and applications in the studio environment using software-based sequencing programs.
Required Textbooks Textbook Purchasing Statement: A student attending Lamar State College Port Arthur is not under any obligation to purchase a textbook from the college-affiliated bookstore. The same textbook may also be available from an independent retailer, including an online retailer.

Huber, David Miles.  The MIDI Manual: A Practical Guide to MIDI in the Modern Studio.  Routledge/Focal Press. ISBN-13: 978-0367549985.

Additional Materials/Resources None.
Corequisites/Prerequisites
  • MUSI-1181 Piano Class I
Learning Outcomes Distinguish MIDI data from audio and explain MIDI’s role in a modern workflow
(controllers, instruments, DAWs, hardware, routing concepts)

Create and edit MIDI performances in a DAW
(record, quantize on/off, duplicate, edit note length, velocity, groove and instrumentation)

Demonstrate control of core MIDI message types in practical use
(Note On/Off, Velocity, CC, Program Change, Pitch Bend) and apply them musically

Configure MIDI routing and synchronization between devices
(track inputs/outputs, channels, device addressing, MIDI clock basics, external gear integration)

Troubleshoot common MIDI problems using a systematic signal-flow approach
(no input, wrong device, wrong channel, stuck notes, latency, clock drift, mapping conflicts)
Program Student Learning Outcomes

 

  1. Technical Proficiency
    Operate MIDI controllers, software instruments, and external MIDI devices correctly.

  2. Systems Thinking
    Explain and diagram MIDI signal flow (source → message → destination) across hardware/software.

  3. Problem Solving
    Diagnose and resolve MIDI performance and connectivity issues efficiently.

  4. Industry Readiness
    Use proper terminology, documentation, and workflow practices consistent with professional production environments.

Lecture Topics Outline Students will complete a series of hands-on MIDI assignments designed to demonstrate practical understanding of MIDI concepts and workflows. Major assessments include MIDI performance and editing exercises, MIDI message control assignments, routing and synchronization configurations, and troubleshooting demonstrations. A comprehensive final project will require students to design, document, and execute a complete MIDI-based system or session that integrates controllers, software instruments, and/or external MIDI devices. All assignments emphasize correct signal flow, technical accuracy, and professional documentation practices.
Major Assignments Schedule

Week 1 – MIDI as a Compositional Tool
Advanced role of MIDI in modern production; MIDI as performance, composition, and arrangement language.

Week 2 –  MIDI Performance Techniques
Humanization, timing offsets, velocity shaping, articulation, and expressive control.

Week 3 – MIDI Editing and Musical Feel
Groove templates, swing theory, micro-timing, and rhythmic pocket development.

Week 4 – Velocity, Expression, and Articulation Control
Detailed use of velocity, CCs, aftertouch, and articulation switching for realism.

Week 5 – MIDI Control Change (CC) Programming
Designing dynamic movement using CC automation (filters, envelopes, modulation).

Week 6 – Program Change and Patch Management
Program changes, sound variation strategies, and multi-patch arrangement workflows.

Week 7 – MIDI for Sound Design
Using MIDI to drive synthesizer parameters, modulation matrices, and evolving textures.

Week 8 – Multi-Instrument and Layered MIDI Arrangements
Layering instruments, register management, orchestration concepts, and density control.

Week 9 – MIDI and Rhythm Programming
Advanced drum programming, pattern variation, fills, and groove evolution.

Week 10 – MIDI for Harmonic and Melodic Development
Chord programming, voicing strategies, counter-melody construction, and arrangement flow.

Week 11 – Hybrid MIDI Workflows
Integrating MIDI with audio, live performance, external hardware, and real-time control.

Week 12 – Creative MIDI Techniques
Generative MIDI, MIDI effects, probability, randomization, and experimental approaches.

Week 13 – Professional MIDI Production Workflow
Session organization, template design, naming conventions, and production efficiency.

Week 14 – Advanced MIDI Troubleshooting in Production
Diagnosing musical and technical issues: timing feel, articulation errors, controller conflicts.

Week 15 – Final Project Development and Review
Composition refinement, production polish, and final MIDI-based music project preparation.

Final Exam Date December 10, 2026 - 1:00 PM
Grading Scale  90 - 100=A 80 - 89=B  70 - 79=C   60 - 69=D  Below 59 = F
Determination of
Final Grade
 Tests - 60%, Quizzes - 15%, Projects - 10%, Final Exam - 15%
Course Policies
Instructor Policies I will not discuss your grades over the phone or by email. If you want to discuss your grades, you must come to my office, in person.
Attendance Policy  Students with more than three absences from the course will receive an academic penalty 
Additional Information
Institutional Policies
MyLSCPA Be sure to check your campus email and Course Homepage using MyLSCPA campus web portal. You can also access your grades, transcripts, academic advisors, degree progress, and other services through MyLSCPA.
Academic Honesty Academic honesty is expected from all students, and dishonesty in any form will not be tolerated. Please consult the LSCPA policies (Academic Dishonesty section in the Student Handbook) for consequences of academic dishonesty.
ADA Considerations The Americans with Disabilities Act (ADA) is a federal anti-discrimination statute that provides comprehensive civil rights for persons with disabilities. Among other things, this legislation requires that all students with disabilities be guaranteed a learning environment that provides for reasonable accommodation of their disabilities. If you believe you have a disability requiring an accommodation, please contact the Disability Services Coordinator, Room 117, in the Student Sucess Center. The phone number is (409) 984-6241.
COVID 19 Information The Lamar State College Port Arthur (LSCPA) Student Code of Conduct COVID 19 Policy requires students who have been diagnosed with COVID 19 to report their condition directly to their local health department. Students should also contact their course faculty to report their quarantine status. In addition, this policy requires all students to wear face coverings when directly exposed to COVID 19 in compliance with the criteria included in the policy. For more information please refer to the COVID 19 link on the LSCPA website.
Facility Policies No food or tobacco products are allowed in the classroom. Only students enrolled in the course are allowed in the classroom, except by special instructor permission. Use of electronic devices is prohibited.
HB 2504 This syllabus is part of LSCPA's efforts to comply with Texas House Bill 2504.
Mandatory Reporting of Child Abuse and Neglect As per Texas law and LSCPA policy, all LSCPA employees, including faculty, are required to report allegations or disclosures of child abuse or neglect to the designated authorities, which may include a local or state law enforcement agency or the Texas Department of Family Protective Services. For more information about mandatory reporting requirements, see LSCPA's Policy and Procedure Manual.
Title IX and Sexual Misconduct LSCPA is committed to establishing and maintaining an environment that is free from all forms of sex discrimination, including sexual harassment, sexual violence, and other forms of sexual misconduct. All LSCPA employees, including faculty, have the responsibility to report disclosures of sexual misconduct, including sexual harassment, sexual assault (including rape and acquaintance rape), domestic violence, dating violence, relationship violence, or stalking, to LSCPA's Title IX Coordinator, whose role is to coordinate the college's response to sexual misconduct. For more information about Title IX protections, faculty reporting responsibilities, options for confidential reporting, and the resources available for support visit LSCPA's Title IX website.
Clery Act Crime Reporting For more information about the Clery Act and crime reporting, see the Annual Security & Fire Safety Report and the Campus Security website.

Grievance / Complaint / Concern If you have a grievance, complaint, or concern about this course that has not been resolved through discussion with the Instructor, please consult the Department Chair.
Department Information
Commercial Music, Visual and Performing Arts
Chair:CASP
Email:CASP
Phone:(409) 983-4921